STEVE JOHNSON speaks to DJ and singer/songwriter Mark Radcliffe
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Left Lives in 20th-century Ireland, Vol 2
Invaluable biographies of trade union and labour movement activists ignored in mainstream histories
Unsung heroine: Sylvia Meehan, women’s rights campaigner
[Eamonn Farrell] 
JAMES WALSH takes advantage of an evening of comedy snippets to pick out which clowns will make it in Edinburgh
MAYER WAKEFIELD is swept up by the tale of the south London venue where music forged alliances across race, class and identity
MAYER WAKEFIELD applauds Rosamund Pike’s punchy and tragic portrayal of a multi-tasking mother and high court judge
FIONA O CONNOR recommends an unflinching depiction of child sexual abuse and its aftershocks, set in a working-class Liverpool family
New releases from Paul Weller, Wet Leg, and Dino Saluzzi
THIS second volume of biographies of leading left-wing figures in or from 20th-century Ireland is a valuable follow-on from the first.
Its 12 essays fills a huge gap, given that much of history taught at school or fed via the media is about monarchs, generals, prime ministers, top politicians or celebrities, with the valuable contribution made by men and women in the trade union and labour movement invariably ignored or marginalised.
The lives of some of the selfless heroes of the working-class and progressive movements are illuminated and given their rightful place in the pubic record, among them Rodney Bickerstaffe, Dominic Behan, banner-makers WL Reynolds, Thomas Kain and Jer O’Leary, trade unionist and politician Brendan Corish, Irish Labour Party politician Pat Devlin and Irish Workers League and Communist Party of Ireland member John Swift.
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JOHN GREEN is fascinated by a very readable account of Britain’s involvement in South America
JOHN GREEN is stirred by an ambitious art project that explores solidarity and the shared memory of occupation
JOHN GREEN applauds an excellent and accessible demonstration that the capitalist economy is the biggest threat to our existence
JOHN GREEN isn’t helped by the utopian fantasy of a New York Times bestseller that ignores class struggle and blames the so-called ’progressives’
