MIK SABIERS savours the first headline solo show of the stalwart of Brighton’s indie-punk outfit Blood Red Shoes
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Kris Drever, Kings Place, London
Understated, observationally acute set from an engaging singer-songwriter
Mournfully hopeful: Kris Drever
New releases reviewed by IAN SINCLAIR
STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
WHILE Kris Drever has largely concentrated on pursuing collaborative projects in recent years, this relaxed solo evening, featuring just an amp and a couple of guitars for company, is a reminder that his best work has been done without any outside help.
Aside from a couple of songs stemming from his partnership with the band members of Lau, most of the focus is on his own compositions — some familiar, some not so well known.
The strongest self-penned moments come in the form of two lesser-heard songs in the second half of the set.
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