STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
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Keith Tippett and Dartington Improvising Trio, Vortex London
Brilliant sense of adventure and invention from jazz veterans
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
AFTER a succession of serious health ailments and for the first time in over a year, one of jazz’s great virtuoso pianists, veteran Keith Tippett performs again at an old and beloved haunt.
Virtuoso: Keith Tippett (Pic: Bohdan Warchomij)
He’s part of the Dartington Improvising Trio with his old saxophone confrere Paul Dunmall and the ever-innovative wordless voice of Julie Tippetts — the Julie Driscoll of Brian Auger’s Trinity in the 1960s and This Wheels on Fire fame.
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