GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
Latest editorial
It's Gone Dark Over Bill's Mothers by Lisa Blower
Short stories give voice to the underclass judged inarticulate by the literary establishment
Lifting the lid: Lisa Blower
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
UNFLINCHING descriptions of sex, violence and addiction are less controversial than in the past but writers and publishers remain reluctant to tackle important aspects of human experience. Their refusal to talk about class led the writer James Kelman to accuse the literary establishment of treating people without money as if they should be swept under the carpet.
Lisa Blower lifts that carpet to explore lives deemed superfluous by business, media and government. Her well-rounded and convincing characters have limited choices as they face deprivation, disappointment and a relentless struggle for survival.
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JOSEPHINE BARBARO welcomes a diverse anthology of experiences by autistic women that amounts to a resounding chorus, demanding to be heard
KEN COCKBURN relishes the memoir of a translator, but wonders whether the autobiography underlying the impulse would make a better book
CARL DEATH introduces a new book which explores how African science fiction is addressing climate change
JOHN GREEN, ANDY HEDGECOCK and MARIA DUARTE review Holloway, The Last Journey, Red Path and Elio