OF SMALL comfort to theatre’s enduring existential crises during this unprecedented period is the ability to reach wider audiences online.
For a tiny hidden gem of a pub theatre such as the Finborough in West London, it is perhaps something they could look to utilise to take their productions beyond the 50, often sold-out, seats for their productions.
The story of first-world-war poet Charles Hamilton Sorley, the subject of It Is Easy to Be Dead, is certainly one a wider audience deserves to see.
FIONA O'CONNOR recommends a biography that is a beautiful achievement and could stand as a manifesto for the power of subtlety in art
SIMON PARSONS is gripped by a psychological thriller that questions the the power of the state over vulnerable individuals



