GEOFF BOTTOMS appreciates the local touch brought to a production of Dickens’s perennial classic
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Is this the proletariat?
ANGUS REID reels before a gigantic survey of the life and work of Peter Howson
DEMONIC ENERGY: (L to R) Regimental Bath, 1985; Trinity, 2020
[(L to R) Antonia Reeve - Flowers Gallery]
MARY CONWAY is disappointed by a production whose design and cartoonish acting overwhelms the close scrutiny of characters
SUSAN DARLINGTON enjoys the raucous familiarity of a traditional topsy-turvy pantomime
RON JACOBS introduces the latest novel by the best writer of US working-class fiction writing today
HENRY BELL is fascinated by the underlying curiosities and contradictions of one of the great poets of the Mediterranean
DAVID RENTON recommends a books that explores the ways in which disabled people are made to feel both of and not part of this world
When the Apple Ripens: Peter Howson at 65: A Retrospective
City Art Centre, Edinburgh
FROM the start, Peter Howson’s paintings have depicted men with exaggerated muscles, distorted limbs and grim, fanatical expressions.
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID