GEOFF BOTTOMS appreciates the local touch brought to a production of Dickens’s perennial classic
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Irish Famine Memorial, Custom House Quay Dublin
MARY CONWAY is disappointed by a production whose design and cartoonish acting overwhelms the close scrutiny of characters
SUSAN DARLINGTON enjoys the raucous familiarity of a traditional topsy-turvy pantomime
RON JACOBS introduces the latest novel by the best writer of US working-class fiction writing today
HENRY BELL is fascinated by the underlying curiosities and contradictions of one of the great poets of the Mediterranean
DAVID RENTON recommends a books that explores the ways in which disabled people are made to feel both of and not part of this world
THE POTATO famine in Ireland began in September 1846 and its consequences were so shattering that it is ingrained in the Irish psyche to this very day.
More than a million people died over the following few years, when hunger and disease became omnipresent. Up to a quarter of the population emigrated, mostly to North America.
Although potato blight was the direct cause of the crop failure of Ireland’s staple food, there was also a political dimension which exacerbated the tragedy.
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