MARK TURNER wallows in the virtuosity of Swansea Jazz Festival openers, Simon Spillett and Pete Long

Freud’s Last Session
King’s Head Theatre
CS LEWIS’S 1933 novel The Pilgrim’s Regress featured a character called Sigismund Enlightenment who is referred to as a “vain and ignorant old man.” It was a barely veiled swipe at the psychoanalyst Sigismund Freud whose almost total disregard for religion rubbed the recently converted author up the wrong way.
Perhaps fortunately the two never met, but their ideas have been brought together frequently, most notably in Armand Nicholi’s book A Question of God which provided the inspiration for Mark St Germain’s 2011 play.
It is September 1 1939 and Lewis (Sean Browne) has made the train journey from Oxford, against the traffic of those leaving London with war looming, to visit the ageing Freud (Simon Bird) in his Hampstead living room. The conversation quickly turns to God. Freud cannot fathom why someone as educated as Lewis “can abandon truth and embrace an insidious lie” in the form of Christianity.

MAYER WAKEFIELD speaks to Urielle Klein-Mekongo about activism, musical inspiration and the black British experience

MAYER WAKEFIELD is swept up by the tale of the south London venue where music forged alliances across race, class and identity

MAYER WAKEFIELD applauds Rosamund Pike’s punchy and tragic portrayal of a multi-tasking mother and high court judge
![SISTERS IN HARMONY The Company of The ministry Of Lesbian Affairs [Pic Mark Senior]]( https://dev.morningstaronline.co.uk/sites/default/files/styles/low_resolution/public/2025-07/The%20Company%20of%20The%20ministry%20Of%20Lesbian%20Affairs.jpg.webp?itok=GfuQa5O9)
MAYER WAKEFIELD relishes a witty and uplifting rallying cry for unity, which highlights the erasure of queer women