WILL STONE fact-checks the colourful life of Ozzy Osbourne
International Criminal Court in the dock
ANDY HEDGECOK recommends a forensic examination of the ICC's response to Israel's attack on an aid convoy to Gaza in 2010
JAMES CROSSLEY applauds a lucid biography of the German radical preacher who reemerged as a hero in the GDR
Prizes all round: the Bard hands plaudits to the Miners Gala, OT&JC, Joe Solo, Black Sabbath’s frontman and the Lionesses
Star cartoonist JAMIE BRITTON is in awe of a graphic novel of epic proportions that explores class, religion and globalisation via the strange cultivation of Ginseng in the US Midwest
GUILLERMO THOMAS is intrigued by a history of the Middle East that demonstrates how promising post colonial beginnings were snuffed out by Western imperialist interests
MARIA DUARTE recommends the intricate study of a high-performance and highly dysfuntional German family
I Accuse
by Norman Finkelstein
(OR Books, £16)
I ACCUSE is a demanding read, in every sense. Its indictment of the behaviour of Israel and the International Criminal Court is detailed and dense.
Norman Finkelstein’s book concerns a specific incident in 2010 when the Mavi Marmara, flagship of a humanitarian flotilla carrying supplies to Gaza, was attacked by Israeli commandos.
Nine people were killed, one later died from his injuries, scores were injured and many more assaulted. The proof presented, textual and photographic, is harrowing. Half the book is taken up by evidential appendices and the explanatory notes are at a point size requiring the use of a magnifying glass.
More from this author
ANDY HEDGECOCK relishes an exuberant blend of emotion and analysis that captures the politics and contrarian nature of the French composer
ANDY HEDGECOCK admires a critique of the penetration of our lives by digital media, but is disappointed that the underlying cause is avoided
ANDREW HEDGECOCK relishes visual storytelling with no respect for genres, movements or styles
ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
