ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
Latest editorial
Refugee drama unwelcome in its ineptness
Stereotypes on stage: Welcome to the UK
[Jose Farinha]
Death comes for Liberals, entitled murder, Vatican hit squads, and fraternising with the Blitz killer
New releases from Public Image Ltd, William Basinski, and John Luther Adams
GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
Welcome to the UK
The Bunker Theatre, London
EXPECTATIONS were high for a new theatre piece focusing on the experiences of refugees and asylum-seekers, all too often victims to the vagaries of the Home Office and, at the centre of Welcome to the UK, is a great deal of heart.
The PSYCHEdelight company was set up by writer, director and psychotherapist Sophie NL Besse, who has delivered drama sessions in the Calais Jungle and their first show Borderline drew on real stories from people stuck there in the freezing cold, mud and fear.
And it drew in some real people too — Besse’s company includes refugees and this time round she has worked with the Women for Refugee Women drama group.
Similar stories
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
![DEFIANT: Dan Daw and Christopher Owen in The Dan Daw Show [Pic: Jess Shurte]](https://dev.morningstaronline.co.uk/sites/default/files/styles/desktop/public/2025-08/crip%20joy%20web%281%29.jpg.webp?itok=OcQcfsb0)
Given the tawdry push and pull around disability benefits, MATTHEW HAWKINS relishes Dan Daw’s defiant celebration of body and sexuality
This is a concert of ambition and courage by organist and improviser Wayne Marshall, says SIMON DUFF
GORDON PARSONS joins a standing ovation for a brilliant production that fuses Shakespeare’s tragedy with Radiohead's music