Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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An impressive, multi-layered combination of players and instruments
Streamed concert Bellowhead
Stabal Mansion
Bellowhead
[David Angel/bellowhead.co.uk]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
PERSONNEL-HEAVY English folk band Bellowhead walked away decisively from live performances in 2016 with a sell-out show at the London Palladium – so they were keen to portray this global concert stream as nothing more than a one-off reunion, organised to celebrate the 10th anniversary of their successful third album, Hedonism.
Operating together under “strict Covid-safe conditions” in Stabal Mansion near Epping Forest, their hour-long, 15-song set was, naturally, based around songs from Hedonism, although there were excursions into other albums.
While the feel and subject matter of their roustabout material makes their recorded work rather samey, when it comes to the live experience there’s no doubting they know how to hit the spot.
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