Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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'I was intrigued by Bitches Brew rawness, abruptness, tightness and looseness’
CHRIS SEARLE speaks with trumpeter Charlotte Keeffe
Charlotte Keeffe
[Nick Brittain]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
IN THE final lines of her sleeve poem of her debut album, Right Here, Right Now, the young trumpeter from Boston, Lincolnshire, Charlotte Keeffe writes: “Right here, right now / Breathe / Creative freedom for all!”
It is a telling message, burning from the lips of her own hornplay, whether as soloist, in a duo, quartet in a conduction setting with a large improvising ensemble — all formats are erupting from the sonic power of her album.
“Both my amazing parents are retired primary schoolteachers, always supportive of my music-making,” she told me. “My mum loves singer-songwriters like Joni Mitchell and Joan Armatrading and my dad adores a wide range of music, more on the instrumental side.
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