Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA
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A Hunger Artist, Seven Arts Leeds
Opaque exploration of art and the human condition
UNSPOKEN ANGER: Henry Petch (left) in A Hunger Artist
SCOTT ALSWORTH foresees the coming of the smaller, leaner, and class conscious indie studio, with art as its guiding star
MARJORIE MAYO recommends an accessible and unsettling novel that uses a true incident of death in the Channel to raise questions of wider moral responsibility
MIK SABIERS wallows in a night of political punk and funk that fires both barrels at Trump
Reasonable radicalism, death in Abu Dhabi, locked-room romance, and sleuthing in the Blitz
SIMON DUFF recommends a new album from renowned composer and oud player Anour Brahem.
JAMES WALSH has a great night in the company of basketball players, quantum physicists and the exquisite timing of Rosie Jones
FRANZ KAFKA’S deceptively straightforward style of writing forces readers to search for deeper meaning. It’s an approach that CVIVarts has sought to emulate in this debut production, an adaptation of his 1922 short story A Hunger Artist, which follows the eponymous protagonist (Henry Petch) from his first to his 40th day of starvation at a circus.
He’s only rarely given his own voice, with his warder (Richard Koslowsky) and the narrator (director Carrieanne Vivianette) interpreting the motivations behind his act.
His unspoken frustrations and anger are instead conveyed through physical movement, choreographed by Phil Sanger, with repeated poses losing their vigour as his act progresses and public interest wanes.
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