ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
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High Rise Estate of Mind, Battersea Arts Centre/Touring
Music, poetry and storytelling give powerful voice to a generation's fears about London's housing crisis
Driving force: Conrad Murray
Death comes for Liberals, entitled murder, Vatican hit squads, and fraternising with the Blitz killer
New releases from Public Image Ltd, William Basinski, and John Luther Adams
GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
THIS year’s Homegrown festival at Battersea Arts Centre is dubbed Occupy and High Rise Estate of Mind lives up to that insurgent billing to thrilling effect.
The hour-long ride is broken up into short, sharp bursts which switch between the deeply personal “real world” moments of the four performers and a dystopian narrative of a wealth-segregated tower block, clearly influenced by JG Ballard’s 1975 novel High Rise.
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