STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
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Hardship Starship by No Hot Ashes
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
No Hot Ashes
Hardship Starship
(Modern Sky UK)
NO HOT ASHES hail, like 10cc, from Stockport and although a generation apart they share an approach to music unbeholden to any genre in particular.
Intelligent and inventive arrangements deliver a studio sound that’s far richer and more complex than the band’s live act.
Isaac Taylor and Luigi Di Vuono’s guitars are intricate one minute and blasting their way through the next, while Jack Walsh on bass and Matthew Buckley on drums keep the adrenaline flowing.
There’s existential rather than political angst in their songs. “There’s not much more that I can take, Oh I’m sick of all these bellyaches,” sings Taylor in Bellyaches.
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