ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
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Fyah in the soul
Jazz tubist THEON CROSS talks to Chris Searle about ‘the vibrations of human connection’ inspiring his latest album
Innovator: Theon Cross
Death comes for Liberals, entitled murder, Vatican hit squads, and fraternising with the Blitz killer
New releases from Public Image Ltd, William Basinski, and John Luther Adams
GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
LONDON-BORN tuba virtuoso Theon Cross has a powerful grasp of his instrument’s jazz ancestry and you can hear it on the rampant bass pulse of the rumbustiously beautiful album Fyah.
He started his musical journey listening to sousaphone players in New Orleans brass bands such as the Dirty Dozen, playing along to the basslines on their CDs.
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