To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Fyah in the soul
Jazz tubist THEON CROSS talks to Chris Searle about ‘the vibrations of human connection’ inspiring his latest album
Innovator: Theon Cross
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
LONDON-BORN tuba virtuoso Theon Cross has a powerful grasp of his instrument’s jazz ancestry and you can hear it on the rampant bass pulse of the rumbustiously beautiful album Fyah.
He started his musical journey listening to sousaphone players in New Orleans brass bands such as the Dirty Dozen, playing along to the basslines on their CDs.
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