Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Freeman, Bristol Old Vic/Touring
Timely indictment of unspoken link between institutional racism and mental-health care
Broken on the wheel of injustice: Freeman
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
THIS tightly woven Strictly Arts production, opening with a series of agonising sequences representing the victims’ tormented fates, initially focuses on the 1846 case of William Freeman, a black New York boy wrongly imprisoned.
Suffering from years of physical abuse that left him permanently brain damaged, on release he senselessly murdered four white people and was sentenced to be hanged, despite his lawyer's plea of insanity caused by his brutalisation in prison.
United by their abusive treatment by police and prison warders, the story of the other characters brings the story up to date with the 2016 death of black woman Sarah Reed in Holloway Prison. Debilitated by mental-health problems, her case revealed abject failings within the penal system.
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The announcement of a Women’s Justice Board should be cautiously welcomed, writes SABINA PRICE, but we need to see a recognition that our prison system is in crisis and disproportionately punishes some of the most vulnerable people in society
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PROFESSOR ANSELM ELDERGILL explains why this new piece of government legislation is giving cause for concern
SIMON PARSONS applauds the psychological study of prisoners dealing with a frighteningly oppressive world endured by far too many