Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Fragmentary clay narratives
Epigram succeeds where epic fails – this Persian proverb best describes Marta Jakobovits's thoughtful ceramic assemblages, writes MICHAL BONCZA
(L to R) Part of the Road Travelled (detail), 2022 – ongoing, 33 pieces of stoneware; Collecting the Raindrops, 2021, 23 ceramic pieces and dried leaves
[Richard Ivey courtesy of the artist and Elizabeth Xi Bauer Gallery]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Marta Jakobovits
Look and See
Elizabeth Xi Bauer Gallery, London
WHO hasn’t a beachcomber lurking inside that’s released, like Alladin’s genie tempting with serendipitous wishes, as soon as our bare feet touch marine sand somewhere?
Romanian Marta Jakobovits imbues fact with wonder. Her ceramic work, despite its formal rigour is entirely emotive and poetic.
The visual association with depositions brought by the sea, or an imaginary archaeological dig where “unearthed” artefacts, neatly lined out, pique our curiosity and invite childlike squatting for a closer inspection.
Such is the installation Part of the Road Travelled, 2014–2016, consisting of 33 pieces of ceramics, sand and stones which set the imagination flying.
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