Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Film round-up: May 13, 2022
MARIA DUARTE reviews The Quiet Girl, Father Stu, The Drover’s Wife: The Legend of Molly Johnson and Vortex
The Quiet Girl, a powerful coming-of-age drama
[Inscéal]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
The Quiet Girl (12A)
Directed by Colm Bairead
★★★★
SET in rural southern Ireland in 1981, this very intimate yet understated and quietly powerful coming-of-age drama explores child neglect and grief through the eyes of a nine-year-old girl.
Writer-director Colm Bairead’s impressive debut feature is an Irish-language adaptation of the short story Foster by Claire Keegan, which centres on Cait (astounding newcomer Catherine Clinch), one of four siblings, sent away by her dysfunctional and impoverished family to stay with distant relatives over the summer while her pregnant mother deals with the new baby.
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