MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion
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Film round-up: April 6, 2023
The Star's critic MARIA DUARTE reviews Godland, Leonor Will Never Die, Ride On, and Lola
MISSION: Elliott Crosset Hove in Godland
New releases from Mountain, Soul Asylum and Michael McDermott
ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
Godland (12A)
Directed by Hlynur Palmason
★★★
SET in the late 19th century when Iceland was under Danish rule, this bleak, slow-burning drama explores the differences between the two countries, in their temperaments and their languages as well as religious belief and notions of mortality.
The film, written and directed by Hlynur Palmason, follows a young idealistic Danish priest Lucas (Elliott Crosset Hove) who is sent to a remote Icelandic area to build a church, lead the congregation and photograph the local people.
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