GEOFF BOTTOMS appreciates the local touch brought to a production of Dickens’s perennial classic
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Female comedians given particular prominence this year gloriously embrace the opportunity with side-splitting performances
MARY CONWAY is disappointed by a production whose design and cartoonish acting overwhelms the close scrutiny of characters
SUSAN DARLINGTON enjoys the raucous familiarity of a traditional topsy-turvy pantomime
RON JACOBS introduces the latest novel by the best writer of US working-class fiction writing today
HENRY BELL is fascinated by the underlying curiosities and contradictions of one of the great poets of the Mediterranean
DAVID RENTON recommends a books that explores the ways in which disabled people are made to feel both of and not part of this world
OXFORD COMEDY FESTIVAL
Various venues
THE Oxford Comedy Festival, now in its second year, is a rare chance to see Edinburgh Fringe performances before they reach Scotland, before they have been fine-tuned and, in some cases, even before they are fully written.
Comprising over 50 shows across six venues, the festival is an organisational feat, and a real credit to its organisers, the QED Comedy Lab.
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