MATTHEW HAWKINS applauds a psychotherapist’s disection of William Blake
The ever-legible Leger
CHRISTINE LINDEY pays tribute to an outstanding artist whose work always aimed to be accessible
(R to L) The Homage to Louis David, 1948-9 and The Three Musicians, 1930
New releases from Christina Alden and Alex Patterson, Odette Michell, Clementine Lovell
JOHN GREEN is fascinated by a very readable account of Britain’s involvement in South America
Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
RON JACOBS welcomes a timely homage to one of the IWW and CPUSA’s most effective orators
AN EXACT contemporary of Picasso, Fernand Leger was born in 1881 in the Normandy market town of Argentan to an argumentative cattle merchant and a gentle mother.
He lost his father when he was very young and his widowed parent gradually lost most of their possessions. Although Leger’s heart was in painting, she apprenticed him to an architect when he turned 16, believing this to be a more respectable profession. This training in precise draughtsmanship served him well and shines through his mature works.
More from this author
CHRISTINE LINDEY welcomes a fascinating survey of the work of the communist and socialist artists who founded the AIA in the 1930s
CHRISTINE LINDEY guides us through the vivid expressionism of a significant but apolitical group of pre WWI artists in Germany
CHRISTINE LINDEY salutes an outstanding exhibition imbued with a sense of national guilt
CHRISTINE LINDEY surveys the cosmopolitan, enigmatic compositions of an idiosyncratic artist whose work speaks of mystery and exile
