Skip to main content
Equestrian sculptures of Manuel Rodriguez in Chile and Jose Gervasio Artigas in Uruguay
Innovatory tributes to leaders of popular rebellions
(L to R) Manuel Rodriguez; Jose Gervasio Artigas

WHILE equestrian statues are probably the most ubiquitous of all public monuments in Western towns and cities, their aesthetics are predictably formulaic.

Three or four standard formats are replicated ad nauseam and most are offensive examples of wars waged by the rapacious elites of any given country.

Roman emperor-philosopher Marcus Aurelius, whose 2,000-year-old equestrian statue is the oldest complete one in existence, is without armour or weapons as befits a supposed bringer of peace.

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
Cartoons: (L to R) Citizen Chicane and Songi
Culture / 23 December 2024
23 December 2024
(L to R) the book cover; Labour Party election poster 1945;
Books / 3 December 2024
3 December 2024
MICHAL BONCZA recommends a compact volume that charts the art of propagating ideas across the 20th century
Cairokee play Telk Qadeya (That is a Cause)
Gig review / 5 May 2024
5 May 2024
MICHAL BONCZA reviews Cairokee gig at the London Barbican
PROUD HISTORY: (L to R) Living Wage Campaign by COSATU (The
Culture / 29 April 2024
29 April 2024
Similar stories
Uruguay's incoming President Yamandu Orsi and Vice President
World / 2 March 2025
2 March 2025
VEXED PRESENCE: (L to R) Stepan Bandera monument in Ternopil
BenchMarx / 29 January 2025
29 January 2025
MICHAL BONCZA draws attention to the problematic position that statues of historical figures have in our public spaces
The statue of Harry Kane unveiled at The Peter May Centre, L
Men’s football / 2 December 2024
2 December 2024
Sculptors offer their advice on what makes for a good depiction in the eyes of the art world and the public
(L) Chilean academic and photographer Luis Bustamante; (R) C
Exhibition Review / 11 July 2024
11 July 2024
Co-curator TOM WHITE introduces a father-and-son exhibition of photography documenting the experience and political engagement of Chilean exiles