Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
Latest editorial
Edge of seat multi-generational power struggle
MAYER WAKEFIELD recommends a powerful drama from Clean Break who specialise in work concerning women’s experience of the criminal justice system
SUPERB CHARACTERISATIONS: Ashna Rabheru (Leila) and Avita Jay (Aleena)
[Suzi Corker]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Favour
Holloway Theatre, Bush Theatre
CELEBRATING its 50th year, the Bush Theatre is excelling in producing quality dramas reflecting working-class life in the capital.
Similar stories
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
The Star's critic MARIA DUARTE Reviews of Twiggy, Mickey 17, Day of the Fight, and Marching Powder
New releases from Richard Dawson, Yazz Ahmed, and The Murder Capital
The Star's critic MARIA DUARTE reviews Better Man, How To Make Millions Before Grandma Dies, Mufasa: The Lion King, Dolphin Boy