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WILL STONE fact-checks the colourful life of Ozzy Osbourne
The Desi Lockdown, Rifco Theatre
Engaging South-Asian response to the pandemic
JAMES CROSSLEY applauds a lucid biography of the German radical preacher who reemerged as a hero in the GDR
Prizes all round: the Bard hands plaudits to the Miners Gala, OT&JC, Joe Solo, Black Sabbath’s frontman and the Lionesses
Star cartoonist JAMIE BRITTON is in awe of a graphic novel of epic proportions that explores class, religion and globalisation via the strange cultivation of Ginseng in the US Midwest
GUILLERMO THOMAS is intrigued by a history of the Middle East that demonstrates how promising post colonial beginnings were snuffed out by Western imperialist interests
MARIA DUARTE recommends the intricate study of a high-performance and highly dysfuntional German family
FOR reasons good, tragic or indifferent, the coronavirus lockdown will be a period not many people will forget.
As a future aide memoire, touring company Rifco Theatre, usually based at Watford’s Palace Theatre, have commissioned a quintet of videos to document the diverse experiences of British South-Asian artists during these most unusual of months.
Harry Syed’s film is arguably the most cinematic. Clocking in at just over 80 seconds, Thanks Mum is a witty rumination on the relationship between growing up and food.
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