Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Daughterhood, Theatre Royal Stratford East
Real people living real lives the focus as two women cope with the ties that bind
From the grassroots: Charlotte Bate and Charlotte O’Leary
[Rebecca Need-Menear]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
ROUNDABOUT, the brainchild of highly admired theatre company Paines Plough, is not only a touring company but a portable theatre-in-the-round which can be erected in the remotest of places.
It is currently in situ right under the walls of the Theatre Royal Stratford East and Daughterhood is just one piece in its repertoire.
At first “Sisterhood” would seem a better title, for it’s about the relationship between two sisters. But then we see how the pair are forever locked into the roles created for them by their parents and perceptions change.
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MARY CONWAY relishes two matchless performers and a masterclass in tightly focused wordplay
MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China
GORDON PARSONS is bowled over by a skilfully stripped down and powerfully relevant production of Hamlet
PAUL DONOVAN applauds an adaptation that draws out the contemporary relevance of George Orwell’s satire