MAYER WAKEFIELD applauds Rosamund Pike’s punchy and tragic portrayal of a multi-tasking mother and high court judge

NUMEROUS versions of Edmond Rostand’s 1897 play about the hot-blooded 17th-century swordsman, poet and philosopher, cursed with a nose of excessive proportions, have filled hours of stage and film time.
This latest version by Bristol Old Vic is a fun-filled, triumphant addition.
With a nod to commedia dell’arte, Peter Oswald’s translation and Tom Morris’s direction inject a lightness of touch, while contemporary references shift the production away from any specific time period.

SIMON PARSONS is taken by a thought provoking and intelligent play performed with great sensitivity

SIMON PARSONS is gripped by a psychological thriller that questions the the power of the state over vulnerable individuals

SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
