Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
Latest editorial
A crowning achievement
PAUL DONOVAN recommends a great production of an immaculate adaptation, delivered with tremendous power by an excellent cast
[Marc Brenner]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
The Mirror and the Light
Gielgud Theatre
THIS production of the Mirror and the Light represents a brilliant final part of the trilogy of plays tracking the rise and fall of Thomas Cromwell.
It has been a while in arriving, coming seven years, after the dramatisation of the first two books Wolf Hall and Bring up the Bodies.
This time the star of those plays, Ben Miles plus director Jeremy Herrin, have collaborated with writer Hilary Mantel to bring this production to the stage.
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GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
GORDON PARSONS squirms at a production that attempts to update Shakespeare’s comedy to a tale of Premier League football
GORDON PARSONS admires a version of Marlowe’s grim tragedy that strips it down to its gay essentials
GORDON PARSONS is filled with unease by the RSC’s offering of a brutal fairytale for Christmas