WILL STONE fact-checks the colourful life of Ozzy Osbourne
Crowded out of the frame
STEPHEN TRINDER talks to Andy Hedgecock about why there's little radical vision in science-fiction cinema
Neill Blomkamp's Elysium (left) and (right) Abu Dhabi-based writer and academic Stephen Trinder
JAMES CROSSLEY applauds a lucid biography of the German radical preacher who reemerged as a hero in the GDR
Prizes all round: the Bard hands plaudits to the Miners Gala, OT&JC, Joe Solo, Black Sabbath’s frontman and the Lionesses
Star cartoonist JAMIE BRITTON is in awe of a graphic novel of epic proportions that explores class, religion and globalisation via the strange cultivation of Ginseng in the US Midwest
GUILLERMO THOMAS is intrigued by a history of the Middle East that demonstrates how promising post colonial beginnings were snuffed out by Western imperialist interests
MARIA DUARTE recommends the intricate study of a high-performance and highly dysfuntional German family
“IT HAS got to a point where the general public are not particularly shocked or even bothered that the Pentagon would directly intervene on a script that was critical of the US or its military,” says Abu Dhabi-based writer and academic Stephen Trinder.
Trinder is alarmed by declassified government reports of direct interference in film-making by people in power but the real focus of his research and writing is the extent to which neoliberal thinking is reinforced by subtler forms of influence and constraint.
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ANDY HEDGECOCK admires a critique of the penetration of our lives by digital media, but is disappointed that the underlying cause is avoided
ANDREW HEDGECOCK relishes visual storytelling with no respect for genres, movements or styles
ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
