To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Crime fiction round-up
Reviews of The Oxford Brotherhood by Guillermo Martinez, Repentance by Eloisa Diaz, Powder Smoke by Andrew Martin and Shadow of a Doubt by Michelle Davies
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
IN THE OXFORD BROTHERHOOD by Guillermo Martinez (Little Brown, £16.99) “G,” an Argentinian mathematics student in Oxford in 1994, is drawn into a deadly mystery through his mentor’s involvement in an academic society of Lewis Carroll admirers.
A young researcher claims to have made an astonishing discovery concerning one of the great mysteries of Carroll’s life. It’s the question which has overshadowed study of the author of the Alice books since the 1950s — the nature of his relationship with little girls, which to modern sensibilities is highly troubling.
When the researcher almost dies in a suspicious accident, G must uncover the truth of puzzles old and new to prevent further bloodshed.
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