Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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A combination of dub reggae and spiritual jazz has been so seemingly under-explored
(L to R) Joe Armon-Jones, Nubia Garcia, Daniel Casimir, Sheila Maurice-Grey and Sam Jones
[Tom Howard/Barbican]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Nubya Garcia 5 stars
Barbican London
Nubya Garcia’s debut EP, Nubya’s 5ive, released in 2017, combined the tough breakbeats of London’s urban music scene with the dynamic sensibility of her jazz forebears, and established her place as one of her generation’s leading jazz musicians.
Three years on, and her much-anticipated debut album pushes this same combination into yet more accomplished and innovative territory. It is an album, she told the New York Times recently, focused on the themes of “personal power, collective power, collectivism,” and this is her first concert since its release.
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