MAYER WAKEFIELD applauds Rosamund Pike’s punchy and tragic portrayal of a multi-tasking mother and high court judge

Malory Towers
The Passenger Shed
★★★★
EMMA RICE’S second production with her company, Wise Children, is an engaging retelling of Enid Blyton’s post-war, boarding school stories framed by scenes from a contemporary school.
The students are more ethnically, physically and sexually diverse, but not too such an extent that seriously challenges Blyton’s insular world inhabited by a narrow range of representative characters.
Rice set out to present a “happy Lord of the Flies” that not only harks back to the positive social values and changes introduced by Attlee’s post-war Labour government, but creates a world where girls can develop without the pressures of our modern age, based on their own decidedly upbeat moral compass.

SIMON PARSONS is taken by a thought provoking and intelligent play performed with great sensitivity

SIMON PARSONS is gripped by a psychological thriller that questions the the power of the state over vulnerable individuals

SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
