GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Malory Towers
The Passenger Shed
★★★★
EMMA RICE’S second production with her company, Wise Children, is an engaging retelling of Enid Blyton’s post-war, boarding school stories framed by scenes from a contemporary school.
The students are more ethnically, physically and sexually diverse, but not too such an extent that seriously challenges Blyton’s insular world inhabited by a narrow range of representative characters.
Rice set out to present a “happy Lord of the Flies” that not only harks back to the positive social values and changes introduced by Attlee’s post-war Labour government, but creates a world where girls can develop without the pressures of our modern age, based on their own decidedly upbeat moral compass.
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
SIMON PARSONS is beguiled by a dream-like exploration of the memories of a childhood in Hong Kong
SIMON PARSONS is taken by a thought provoking and intelligent play performed with great sensitivity
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic



