Skip to main content
Regional secretary with the National Education Union
A charming take on Blytonesque bubble

Malory Towers
The Passenger Shed
★★★★

EMMA RICE’S second production with her company, Wise Children, is an engaging retelling of Enid Blyton’s post-war, boarding school stories framed by scenes from a contemporary school.

The students are more ethnically, physically and sexually diverse, but not too such an extent that seriously challenges Blyton’s insular world inhabited by a narrow range of representative characters.

Rice set out to present a “happy Lord of the Flies” that not only harks back to the positive social values and changes introduced by Attlee’s post-war Labour government, but creates a world where girls can develop without the pressures of our modern age, based on their own decidedly upbeat moral compass.

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
IMPASSIONED: Phoebe Thomas and Matt Whitchurch / Pic: Ellie Kurttz
Theatre review / 25 May 2025
25 May 2025

SIMON PARSONS is taken by a thought provoking and intelligent play performed with great sensitivity

Terrors
Theatre review / 16 May 2025
16 May 2025

SIMON PARSONS is gripped by a psychological thriller that questions the the power of the state over vulnerable individuals

CLASS AND SEXUALITY: Sesley Hope and Synnove Karlsen in Laura Lomas’s The House Party / Pic: Ikin Yum
Theatre Review / 24 April 2025
24 April 2025

SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic

Lizzie Watts and Andre Squire in Jane Upton’s (the) Woman
Theatre review / 19 February 2025
19 February 2025
SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
Similar stories
IMPASSIONED: Phoebe Thomas and Matt Whitchurch / Pic: Ellie Kurttz
Theatre review / 25 May 2025
25 May 2025

SIMON PARSONS is taken by a thought provoking and intelligent play performed with great sensitivity

CLASS AND SEXUALITY: Sesley Hope and Synnove Karlsen in Laura Lomas’s The House Party / Pic: Ikin Yum
Theatre Review / 24 April 2025
24 April 2025

SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic

IT'S BEHIND YOU: The cast of A Good House, Amy Jeptha's Sout
Theatre review / 18 February 2025
18 February 2025
SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
PINKIE PROMISE: Nell Barlow and Amelie Abbott in Never Let M
Theatre Review / 7 November 2024
7 November 2024
SIMON PARSONS applauds a moving version of Ishiguro’s vision of a world in which science and ethics have diverged