GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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Celtic bird movement
MATTHEW HAWKINS applauds two evocative new productions that have premiered at the Edinburgh Fringe before touring nationwide
REFRESHINGLY IMMEDIATE: Scottish Dance Theatre perform Moving Cloud
[Brian Hartley]
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
The Flock and Moving Cloud
Scottish Dance Theatre, Zoo Southside, Edinburgh
IN a festival strewn with autobiography and confessional stand-up, it’s arresting to witness the facial neutrality of a dance troupe bent on conveying the ideas of an objective author.
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