MATTHEW HAWKINS applauds a psychotherapist’s disection of William Blake
Carol Rhodes
Landmark paintings and drawings of human impact on the natural landscape by staunch political activist
ENVIRONMENTS UNDER THREAT (L to R): River, Roads, 2013 and Sea and Motorway, 1998
[Alison Jacques Gallery/Carol Rhodes Estate] 
New releases from Christina Alden and Alex Patterson, Odette Michell, Clementine Lovell
JOHN GREEN is fascinated by a very readable account of Britain’s involvement in South America
Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
RON JACOBS welcomes a timely homage to one of the IWW and CPUSA’s most effective orators
THIS free exhibition at London’s Alison Jacques Gallery is a much-needed and timely reminder of the quality and urgent relevance of the work of Edinburgh-born Carol Rhodes, who studied at the Glasgow School of Art in the turbulent late-1970s.
It dovetails with the heightened awareness of, and campaigning about, the environmental threats posed by overexploitation of natural resources.
Rhodes did not reside, as many would, in an ivory tower. She found her place in social activism, radical feminism, campaigns for disarmament, gay rights and social justice campaigns.
More from this author
Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet
New releases from Hannah Rose Platt, Kemp Harris, and Spear Of Destiny
MICHAL BONCZA recommends a compact volume that charts the art of propagating ideas across the 20th century
