MARK TURNER wallows in the virtuosity of Swansea Jazz Festival openers, Simon Spillett and Pete Long

THIS free exhibition at London’s Alison Jacques Gallery is a much-needed and timely reminder of the quality and urgent relevance of the work of Edinburgh-born Carol Rhodes, who studied at the Glasgow School of Art in the turbulent late-1970s.
It dovetails with the heightened awareness of, and campaigning about, the environmental threats posed by overexploitation of natural resources.
Rhodes did not reside, as many would, in an ivory tower. She found her place in social activism, radical feminism, campaigns for disarmament, gay rights and social justice campaigns.

MICHAL BONCZA highly recommends a revelatory exhibition of work by the doyen of indigenous Australians’ art, Emily Kam Kngwarray

Despite an over-sentimental narrative, MICHAL BONCZA applauds an ambitious drama about the Chinese rescue of British POWs in WWII

Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet

New releases from Hannah Rose Platt, Kemp Harris, and Spear Of Destiny