GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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A brilliant dismantling of the American Dream
SIMON PARSONS applauds the energy and humour of a riveting show
CHARISMATIC: Jonathan Slinger as Scott
[Tristram Kenton]
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
Sarah
The Coronet Theatre
ADAPTED from Scott McClanahan’s semi-autobiographical novel this amusingly dark dismantling of the American Dream is brilliantly performed by Jonathan Singer as Scott.
Addressing the audience directly, Scott opens his monologue by boasting that he is a skilled and experienced drunk driver. His description of a close call with a traffic cop veers from amusingly anarchical to childishly destructive, but the humour is undercut when he introduces the potential ramifications of his actions with his distressed children being his forgotten passengers.
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