GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
Bruce Springsteen & The E Street Band
Hyde Park, London
BRUUUUUUCE! A sea of adoring fans bellowing Springsteen’s name, which sounds a lot like boos, never ceases to amuse. Particularly after a three-hour epic set so seamlessly electrifying that the very idea of so much as a disgruntled heckle would be laughable.
The Boss, a well-earned moniker, is a force of nature on stage, even at 73, who defies anyone hitherto indifferent to his brand of all-American heartland rock by the sheer vibrancy, passion and showmanship of his live performances.
Tunes about the life of blue collar workers, including Working On The Highway, Badlands and Out In The Street, transform into extended singalong anthems, while the Boss assumes the role of a quasi-conductor to his E Street Band as they jam out on Kitty’s Back.
WILL STONE is impressed by a tour de force rendition of three decades’ worth of orchestral chamber pop
WILL STONE takes a ticket to indie disco heaven, but misses the rarely performed tunes
TOM STONE checks the political coordinates of a festival where the pleasures of nostalgia were (sometimes) harnessed to a new message
New releases from Toby Hay, Bruce Springsteen, Bonnie Dobson & The Hanging Stars



