GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Binker Golding, Ronnie Scott’s London
Exhilarating fusion of hard bop and contemporary soul from Golding's new quintet
MIND-BLOWING: Binker Golding
[Monica S Jakubowska]
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
NONE of the compositions in this fantastic set by saxophonist Binker Golding have a name. But they certainly have a bright future.
All are being test-run for a forthcoming album, which means titles have yet to be added. As a consequence, Golding has to cue in his band members by humming a quick snippet of each.
His gumbo of classic hard bop and contemporary soul is delicious — it’s technically mind-blowing and fascinatingly complex, yet melodic enough to ensure it’s far more than just an exhibition of supreme musicianship.
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