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Theatre review: Betrayal, Harold Pinter Theatre, London
A stellar production concludes a memorable season of Harold Pinter plays
Performance of a lifetime: Tom Hiddlestone in Betrayal
[Marc Brenner] 
JAMES CROSSLEY applauds a lucid biography of the German radical preacher who reemerged as a hero in the GDR
Prizes all round: the Bard hands plaudits to the Miners Gala, OT&JC, Joe Solo, Black Sabbath’s frontman and the Lionesses
Star cartoonist JAMIE BRITTON is in awe of a graphic novel of epic proportions that explores class, religion and globalisation via the strange cultivation of Ginseng in the US Midwest
GUILLERMO THOMAS is intrigued by a history of the Middle East that demonstrates how promising post colonial beginnings were snuffed out by Western imperialist interests
MARIA DUARTE recommends the intricate study of a high-performance and highly dysfuntional German family
WITH this offering, Jamie Lloyd conclusively proves himself the supremo when it comes to interpreting Harold Pinter’s plays.
Having treated us for six months to a brilliant rendition of more than 20 of the playwright’s short plays and monologues, he now turns to the full-length drama that many regard as Pinter’s masterpiece.
Simple, sparse and easy to follow, while original in form and style, this production’s cast of three splendid actors mark Betrayal out as a jewel.
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