To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
WITH this offering, Jamie Lloyd conclusively proves himself the supremo when it comes to interpreting Harold Pinter’s plays.
Having treated us for six months to a brilliant rendition of more than 20 of the playwright’s short plays and monologues, he now turns to the full-length drama that many regard as Pinter’s masterpiece.
Simple, sparse and easy to follow, while original in form and style, this production’s cast of three splendid actors mark Betrayal out as a jewel.
MARY CONWAY is spellbound by superb performances in Arthur Miller’s study of the social and personal stress brought about by Nazi Germany’s Kristallnacht
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
MARY CONWAY is blown away by a flawless production of Lynn Nottage’s exquisite tragedy


