ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
PLAYING all nine characters in Oscar Wilde’s The Importance of Being Earnest at the tiny Tara Theatre in London, Kudzanayi Chiwawa and Ayesha Casely-Hayford took such liberties with its content and structure that one might have expected the whole venture to fall apart.
Yet the play was so lovingly bashed about that it came through the ordeal with flying colours, as did the pair themselves.
Operating within a minimalist set and dressed only in white T-shirts and black trousers, Chiwawa and Casely-Hayford offered up a deliberately unruly interpretation of Wilde’s farcical goings on, blurring time, space and boundaries in a way that added an extra dimension to the humour.
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying
MARY CONWAY is blown away by a flawless production of Lynn Nottage’s exquisite tragedy
In this production of David Mamet’s play, MARY CONWAY misses the essence of cruelty that is at the heart of the American deal



