Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
Latest editorial
Best of 2019: Art, music and theatre
OUTSTANDING: David Judge in Sparkplug
[Alex Mead/Decoy Media]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
AWAY from my home city of Manchester, this year I greatly enjoyed the colour and form of the wonderful New Times, New Pleasures exhibition of Fernand Leger’s work at Tate Liverpool and the new insights provided by Van Gogh in Britain at Tate Britain earlier in the year.
There was a great musical treat in the capital from the superb The Gloaming at the Union Chapel, a showcase of Irish traditional music at its very best. The band create an unusual sound by the harmonising of fiddle, guitar and piano with an overlay from the haunting voice of the exceptional Iarla O Lionaird.
For sheer spectacle it was hard to beat the version of the opera Carmen I saw in the ancient Roman arena in Verona.
Similar stories
PAUL FOLEY picks out an excellent example of theatre devised to start conversations about identity, class and belonging
JAN WOOLF doubts that soft-core musical is the best way to transmit an important story of heroism and resistance
A nervous year, showing that the theatre, like the world, stands on a precipice and seems uncertain where to jump
