Drive Your Plow Over The Bones Of The Dead
Barbican Theatre, London
THE highly anticipated new production by renowned theatre group Complicite had a rather unfortunate false start when its press night was cancelled at the eleventh hour after lead actor Kathryn Hunter came down with a sudden illness.
Since then, Amanda Hadingue has dauntlessly stepped into what proves to be quite the Herculean role for most of the short two-week run at the Barbican... but not tonight.
The diminutive grey-haired Hunter ambles out, in character, rasping and coughing into a central mic: “Just a touch of Covid!” she jests, although the irony isn’t lost.
WILL STONE foresees the refashioning of Beckett’s study of bitter nostalgia given the plethora of self-recording we make in the digital age
After a ruinous run at Tolkien, the streaming platforms are moving on to Narnia — a naff mix of religious allegory, colonial attitudes, and thinly veiled prejudices that is beyond rescuing, writes STEPHEN ARNELL



