Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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An exhibit rather than a play
‘Don’t expect a play, or even to know what it was you saw or why,’ is MARY CONWAY’S uncomfortable verdict
Martin Crimp 'defies expectations but leaves us wondering what exactly stands in their place'
[Carla Chable de la Heronniere]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Not One of These People
Royal Court
NORM-DODGER Martin Crimp is an acquired taste. And – as with dry January or veganism – his ardent fan-base seems to grow by the day.
The Royal Court Theatre – evidently one such fan – is presenting his latest offering Not One of These People for four performances only. Clearly hedging their bets, the theatre management aim to please the faithful, while acknowledging that most theatre goers will stay away.
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