STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
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A deeply throbbing melodism
CHRIS SEARLE reviews Eddie Gomez, Binker Golding, Elliot Galvin, Gunter Baby Sommer and Raymond MacDonald
TELEPATHIC: Binker Golding
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
AT SOHO’S Pizza Express, Eddie Gomez, Puerto Rican-born bassist of the Bill Evans Trio and a Dizzy Gillespie alumnus, dug into a veteran’s groove with his swinging Italian bandmates.
His springing, resonant strings bounced into Cheeks, his tribute to Gillespie and the beautifully etched, deeply throbbing melodism of the lingering tune Ariana stayed long in the mind.
Among the host of tomes in Foyles’s West End bookshop, saxophonist Binker Golding and pianist Elliot Galvin played together with such an intimacy it’s as if both musicians were inside each others’ instruments, so telepathic was their improvising union.
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