DENNIS BROE enjoys the political edge of a series that unmasks British imperialism, resonates with the present and has been buried by Disney

The Shadow Factory
NST City
Southampton
IT WOULD be difficult to conceive of a more resonant production to open Southampton’s new 450-seat theatre than The Shadow Factory.
The Battle of Britain may be the context for this premiere of Howard Brenton’s play but the subject matter is the battle between locals in the city and the wartime government’s authoritarian approach to its people and their property.
After the 1940 bombing of the nearby Spitfire factory, homes and businesses were requisitioned under the Emergency Powers Act, to enable production to continue in a “shadow factory.”

SIMON PARSONS is taken by a thought provoking and intelligent play performed with great sensitivity

SIMON PARSONS is gripped by a psychological thriller that questions the the power of the state over vulnerable individuals

SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
