Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Bruising consequences of the blitz
SIMON PARSONS recommends a new play on the stand-off in Southampton between locals and government during WWII
Lady Cooper Anita Dobson and Hilton MCRae
[Manuel Harlan]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
The Shadow Factory
NST City
Southampton
IT WOULD be difficult to conceive of a more resonant production to open Southampton’s new 450-seat theatre than The Shadow Factory.
The Battle of Britain may be the context for this premiere of Howard Brenton’s play but the subject matter is the battle between locals in the city and the wartime government’s authoritarian approach to its people and their property.
After the 1940 bombing of the nearby Spitfire factory, homes and businesses were requisitioned under the Emergency Powers Act, to enable production to continue in a “shadow factory.”
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