GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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Bob Oram's best albums of the year
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
SADLY overlooked earlier this year, Quiet Loner Matt Hill’s stint as songwriter in residence at the People’s History Museum spawned Battle for the Ballot, an absolute gem.
Hill is an incredibly talented writer and these 10 superb songs and his slow measured voice paint pictures that celebrate all those who campaigned and fought for our right to vote.
He's aided by splendid vocalist Tracey Browne who, in Paint This Prison, brings the heroic women to life, especially on the story of an anonymous suffragette prisoner .
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New releases from Kneecap, Sam Blasucci, and Juni Habel
New releases by Porridge Radio, The Cribs, and Bjorn Meyer
RON JACOBS welcomes a survey of US punk in the era of Reagan, and sees the necessity for some of the same today
The bard heralds the festive summer