WILL STONE fact-checks the colourful life of Ozzy Osbourne
Blurred focus
Blake Wood's photographs of the great Amy Winehouse are far from revelatory, says SUSAN DARLINGTON
Amy Winehouse performs during the Oxegen Festival 2008 at the Punchestown Racecourse, Naas, County Kildare, Ireland
JAMES CROSSLEY applauds a lucid biography of the German radical preacher who reemerged as a hero in the GDR
Prizes all round: the Bard hands plaudits to the Miners Gala, OT&JC, Joe Solo, Black Sabbath’s frontman and the Lionesses
Star cartoonist JAMIE BRITTON is in awe of a graphic novel of epic proportions that explores class, religion and globalisation via the strange cultivation of Ginseng in the US Midwest
GUILLERMO THOMAS is intrigued by a history of the Middle East that demonstrates how promising post colonial beginnings were snuffed out by Western imperialist interests
MARIA DUARTE recommends the intricate study of a high-performance and highly dysfuntional German family
Amy Winehouse
by Blake Wood
(Taschen, RRP £30)
AMY WINEHOUSE was as well-known for her image as her music when she died in 2011. In this book Blake Wood's aim is to present “the person, not the persona” with these previously unseen photographs of a woman who is nearly unrecognisable when stripped of her rats’ nest beehive and elaborate winged eyeliner.
Aspiring photographer Wood and the Back to Black musician met and became friends in 2008, at a time when she was being hounded by the media and battling with addiction. He hung out with her in London, where they spent time doing handicrafts and making pillowcases out of old T-shirts, giving him the opportunity to catch the singer at her most unguarded and intimate moments.
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