MATTHEW HAWKINS applauds a psychotherapist’s disection of William Blake
The best medicine
JAMES WALSH is therapeutically disrobed by a disarmingly attentive exploration of harsh truths and nonsense
BJORK-ESQUE ELFIN ALIEN: Julia Masli
[Andy Hollingworth] 
New releases from Christina Alden and Alex Patterson, Odette Michell, Clementine Lovell
JOHN GREEN is fascinated by a very readable account of Britain’s involvement in South America
Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
RON JACOBS welcomes a timely homage to one of the IWW and CPUSA’s most effective orators
Julia Masli: ha ha ha ha ha ha ha
Soho Theatre
Can a clown save the world?
This probably wasn’t what Julia Masli, an Estonian performer trained by the notorious Parisian pedagogue Philippe Gaulier, had set out to achieve with her latest. Still, you never know. Masli always aims high, with seemingly limitless reserves of care, poise, and life-affirming naivete.
And after an hour of this staggering, beautiful, and heartfelt show, your correspondent is a convert to the idea of free Masli on the NHS. It’s called ha ha ha ha ha ha ha, but it was never supposed to be funny — or so its author claims. Instead, a Bjork-esque elfin alien, Masli in a typically ludicrous outfit, attempts to solve the audience’s problems, whether big or small, serious or inconsequential.
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JAMES WALSH is moved by an exhibition of graphic art that relates horrors that would be much less immediate in other media
JAMES WALSH applauds the observations of a new Chinese master of stand-up
JAMES WALSH is appalled by the implications of introducing AI to the workplace
