To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Best of 2024 contemporary classical and electronica with Simon Duff
Concert of the Year? No doubt, Pat Metheny at the Barbican in late November...
Pat Metheny Orchestrion
[Dennis AB/CC]
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
IN a year of war and political upheaval, it’s a pity these tectonic shifts are not moving the musical dial in sufficient quantity.
The huge advances in immersive audio technology and the success of platforms such as Dolby Atmos should also be producing much more incisive movements. On the flip side, a strong year for contemporary spiritual and new ambient.
A notable release from ECM came in the form of a new recording of Arvo Part’s Tractus. Recorded by the Estonian Philharmonic Chamber Choir and Tallinn Chamber Orchestra, the title refers to a series of theological writings by the English cardinal and saint John Henry Newman called Tracts for the Times (1843).
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