GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Best of 2018: Music
By PETER MASON
Inspired: Mavis Staples
[Jalylah Burrrell/Creative Commons]
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
I SAW three-piece Serbian band Igralom by accident on a visit to the Bulgarian capital Sofia a few months ago, when they were supporting all-action outfit New Zealand outfit The Cavemen on what was billed as a punk night.
Although the headliners justified the punk tag, it would be a stretch to place Igralom in the same field. The publicity material for their second album Pogrena Poznanstva, which they were showcasing on the night, described them as playing “psychedelic-trans-blues” and, as far as labels go, that seemed to do a better job
Similar stories
SUSAN DARLINGTON swoons in the presence of a magnetic frontman
As part of the 2025 London Jazz Festival Rich Mix offered intriguing sessions titled 'Persian Jazz,' CHRIS SEARLE was there
NEIL GARDNER listens to a refreshingly varied setlist that charts Cabaret Voltaire's voyage from avant-garde experimentalists to techno pioneers
WILL STONE in entertained, and some, by the Irishman Shobsy and the Dutch/Kiwi combo My Baby