Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Best of 2018: Fiction
by ANDY HEDGECOCK
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
THIS has been a great year for stories that take liberties with genre and blur the boundaries between fantasy and reality.
Liminal by Bee Lewis (Salt) is an assured debut novel that explores the ways in which myth, dream and landscape affect our behaviour and perception. It’s also a gripping thriller concerning a damaged marriage, a pregnant amputee and the ambiguous motives of a menacing visitor.
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This is poetry in paint, spectacular but never spectacle for its own sake, writes JAN WOOLF
In an exhibition of the graphic art of Lorna Miller, MATT KERR takes a lungful of the oxygen of dissent
ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
The Morning Star sorts the good eggs from the rotten scoundrels of the year